Showing posts with label 2012. Show all posts
Showing posts with label 2012. Show all posts

Wednesday, 24 November 2010

10 Minor Characters Given Overly Dramatic Death Scenes


So you're an actor and you're struggling to get your big break. Your agent calls and they've got you a part in a big new Hollywood film. The only problem is that you only have a handful of lines of dialogue and have barely any influence on the main plot. However, the director wants a tacked on, emotional scene to give a false sense of pathos. Your character gets to die and you get to make tragic faces despite the audience knowing barely anything about who you're playing. It's win-win.

Welcome to the world of the overly dramatic death scenes for minor characters. Here are some of the most notable:

Haldir in Lord of the Rings: The Two Towers



For the climatic battle of Helm's Deep, Peter Jackson and co. had a problem. Aragorn and friends were facing a battle against overwhelming odds but, as fans of reading will know, no-one particularly important was going to die. How are we meant to get our emotional kick when the only one's dying are a few grizzled peasants? Craig Parker, that's how.

Some genius remembered the character of Haldir, played by Parker for all of two minutes in the first film in the trilogy and decided it would be a great idea to bring him back and swiftly kill him, just so the audience has something to be sad about. Said genius probably didn't stop to think that the audience might not really care too deeply for that elf that was in Lothlorien for a bit. So, Haldir returns to honour an allegiance between men and elves and then dies in a way that is something of a running theme in this list; fighting heroically until his last breath and passing away in the hero's arms. Absolutely no-one was upset about this.

Mifune in The Matrix Revolutions


Having killed off most of the poorly fleshed out supporting characters in the first film, the producer's of the Matrix sequels decided to introduce thousands more supporting players to be poorly fleshed out, but this time with with stupider names like Ballard or Sparks. One of the characters to get a better deal was Mifune (Nathaniel Lees). Not only did he get to make a rousing speech, he got a pretty good death too. Not from the character's point of view of course; having your face cut up by Sentinal tentacles must sting, but Nathaniel Lees must have loved the opportunity to show off his range of facial expressions, which vary from 'stern' to 'angry.'

Needless to say, Mifune dies fighting heroically until his last breath, only this time he doesn't die in the hero's arms but in the arms of the tedious kid that no-one likes.

Hagen in Gladiator


Having failed to turn the phrase "Hagen dies" into some sort of joke involving ice cream, I'll cut straight to the point; Hagen (Ralf Moeller) was doomed from the start. Hagen is a classic bad-ass with a good heart. At first he gives Russell Crowe a good kicking and the audience thinks he's kind of a dick but then he turns out to be a good guy and a fierce warrior. He's willing to fight with Maximus to the death, and, as with a lot of characters willing to fight with the main character to the death, he dies. Hagen defends Proximo's Gladiator school as Maximus attempts to escape, showing how much of a bad-ass he is along the way before ultimately dying fighting heroically until his last breath. Again.

Ben Hayes in King Kong (2005)


This was never going to end well. Peter Jackson had shown in The Two Towers that he would never be happy with just letting faceless expendables die so one or two of the not-so-important supporting players were doomed the minute they set foot on Skull Island. Jack Black's film crew got a pretty unfair deal but it was Ben Hayes (Evan Parke) who was there to pack an emotional punch. A wise and weary mentor and father figure to Jamie Bell's Jimmy, the audience was instantly made aware of him being a good guy because he knew stuff about books.

Having established this bond between Hayes and Jimmy, Jackson proceeds to kill Hayes in a horrifying way; first being crushed by King Kong and then thrown to a bottom of a canyon. Needless to say, Hayes died heroica...well you know the rest.

Tommy Ryan in Titanic


Tommy Ryan (Jason Barry) DID NOT die heroically fighting until his last breath, thus making this list less monotonous.

Having established himself as a man of good character based purely on the fact that he was Irish, Ryan epitomised the fun and exciting ethic diversity of steerage class and how far it was removed from the evil and boring rich people. He was doomed, however, along with his partner in crime Fabrizio, who suffered death by funnel.

It was a tall order for Tommy Ryan to have a distinctively tragic death in a film full of tragic deaths but being shot by 1st Officer Murdoch in the scuffle for survival is pretty tragic. Murdoch shooting himself afterwards didn't help either.

The Not-So-Important Jedi in Revenge of the Sith


There's nothing like a good montage of mass murder to tug on the heartstrings. George Lucas even went one step further and decided to get younglings involved. But for the actors who had endured hours in make-up to play background Jedi with only the occasional cool looking lightsaber kill to show for it, this was their moment in the sun. Order 66 is executed and the Clone Troopers turn on the Jedi and kill them one by one in a series of cowardly ways. We don't know anything about these characters, but it's kind of sad in a way. Well, a bit. But not much.

Rest in peace pointy headed beard man and kind-of-hot blue woman. Rest in peace.

Dr. Satnam Tsurutani in 2012


Remember when Jimi Mistry was going to be the next big thing in Hollywood after he made East is East and set off to make the god-awful The Guru? Well this is where he ended up. Tsurutani is pretty much responsible for finding out the world is going to end. He has a nice family too. Chiwetel Ejiofor really wants to save him but he encounters the evils of bureaucracy and doesn't. Thus, Tsurutani, nice family and all, dies with everyone else, leaving the many dislikeable and undeserving characters to survive on the arks.

Frank Harris in The Day After Tomorrow


While we're on the issue of Roland Emmerich disaster movies, we best cover The Day After Tomorrow. What Emmerich really, really, likes to do is take a small character, give him the slightest hint of emotional depth and pathos, and have him die in a sad yet contrived situation and expect the audience to feel bad about this. We saw this with Satnam Tsurutani and we saw it with Frank Harris (Jay O. Sanders).

Harris is a grizzled old timer, loyal to the end to Dennis Quaid. We know very little about him, but he's a good guy. So when he falls through glass and is left dangling high above a shopping centre and threatens to pull his colleagues to their doom with him, he cuts the rope and falls to his death to save them. Note the variation from the common theme; Harris sacrifices himself heroically, rather than fighting heroically.

Stan Olber in Volcano


Staying on the theme of heroic sacrifices, Stan Olber (John Carroll Lynch) saves a bunch of people from a subway train being consumed by lava (for those that haven't seen it, Volcano is about a volcano erupting in down town L.A., for some reason). As a reward for his valiant efforts, he slowly burns to death after jumping into a pool of lava. You can't help thinking that Stan should have made a better job of his jump but this scene has the distinction of being one of the only memorable things in Volcano. Thus a small character is transformed into a tiny redeeming feature of an otherwise terrible, terrible movie.

Ivan Dubov in Face/Off


The character of Dubov is instantly rendered cooler by the fact that he's played by Frank Subotka from The Wire (Chris Bauer). His role is small, but important to the plot and featuring an impressive amount of drool. Dubov is an enemy of Nic Cage's (except Nic Cage isn't really Nic Cage, of course) but when the idea is suggested that they work together on a escape, he come's around to the idea pretty quickly and all of a sudden Cage and Bauer are best buds. Dubov does most of the hard work in helping Cage escape, but is thrown off a walk-way and dangles over a big drop with only a gun and Cage's hand between him and falling. Naturally, he falls and Cage is briefly sad before forgetting about him completely.


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Thursday, 26 November 2009

2012 IS better than The Day After Tomorrow (just)


But that isn't saying an awful lot.

Without giving too much away, my early concerns about 2012 blowing its disaster load too early like The Day After Tomorrow have been heeded. This is full-on, unrelenting disaster porn. After 30-odd minutes or so of the most unconvincing of set-ups and the standard bad science things start to go wrong. Then they get worse. And worse. And worse. For two whole hours.

There is, of course, nothing wrong with this. It's what people want to see in disaster movies and one-trick-pony accusations aside, Roland Emmerich has a pretty good idea of what people want to see in disaster movies. They want stuff getting broken in spectacular ways, (preferably recognisable Western monuments), a tsunami (because every disaster movie has to have one), people just barely escaping certain death and characters with just about enough depth for you to want them to survive.

So how does Emmerich do on these fronts?

Well stuff gets broken. A lot. In fact, this is the stuff-getting-brokenest of any film I have ever seen. Family homes fall into huge chasms, skyscrapers collapse, and, oh yes, you better believe some famous monuments get destroyed. Look out for a scene in Vatican City that may as well have METAPHOR flashing in huge red letters on the screen. You can't fault 2012 for the destruction it unleashes, and as you may have guessed from the trailer, there are tsunamis taller than mountains too. It's all rather fun actually, for a while. The effects are probably the best the genre has seen but after a while the spectacle of endless destruction begins to become surprisingly dull.

As for the narrow escapes, well it's pretty fair to say Emmerich went overboard. John Cusack's character is one of the luckiest I have ever seen and possibly the most heroic novelist since Stephen King slagged off Twilight. Think of a vehicle, any vehicle, and John Cusack probably came close to certain death in it in this film. Whilst watching the film, I wouldn't have been surprised to see him heroically outrunning a pyroclastic flow on a lawnmower as long as he was doing it to protect his children.

I really liked the look of the cast for this film so it was so disappointing that it was the characters that let this film down. Emmerich fails to give us a team of survivors who we really want to see alive at the end of the film. He makes a rather ham-fisted attempt at political commentary, complete with ruthless and bureaucratic governments and bad impersonators of real world leaders so it's not surprising that we're meant to not particularly like a couple of members of the American government. However, the whole of the main cast is so two-dimensional and self-involved that you begin to think about all those being killed in the carnage on-screen and wonder what makes these guys so worthy of survival. I honestly can't feel for people who decide that, in the midst of an event taking billions of lives, that they should have a heart to heart on why their marriage failed.

But I guess what I should have learned from Emmerich's films before is that it's not about plot or character development or plausibility or anything unimportant like that. It's about carnage. If stuff is getting broken and there are tsunamis left right and center who cares? As a form of escapism I must admit it is fun, but be warned, the moment you start to think about what you're watching you'll regret it. So abandon all logical thought and take in the effects and you might just enjoy this film.

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Sunday, 21 June 2009

2012 looks better than The Day After Tomorrow

Roland Emmerich doesn't exactly make classic movies but if you accept that you're going to get a lot of special effects, not a lot of depth and a huge dollop of cheese you can have a good time with them (or some of them, at least). In my Jeff Goldblum post I implied I was a fan of Independence Day and I must admit I do enjoy Emmerich's brand of cheesy, disaster movie fun.

I liked The Day After Tomorrow more than most people did but the problem I had with it was that its money shot, so to speak, was far too early. Once the twisters, and the tsunami and the big freeze were out the way we had another hour or so of people walking around in the snow and being attacked by terrible CGI wolves. For a summer popcorn movie it just got a little, well, dull. The new trailer for 2012, based on the Mayan prediction of the end of the world in, you guessed it, 2012 looks like Emmerich might have learnt his lesson. There's a lot of action on display here, and an awful lot of planes, which I'm guessing is an important plot point. The cast also seems far better than TDAT. Chiwetel Ejiofor could do with a bit more Hollywood exposure (and an easier to spell name) and I'd believe Danny Glover as the president any day. Well, a lot more than I did Bill Pullman anyway.

Anyway, Yahoo has an exclusive new theatrical trailer over HERE. It doesn't look a classic, but it could be fun.

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